இப்புகழ்பெற்ற கல்லூரி (சட்டக்கல்லூரி ரோடு) எனது விடுமுறைக்கால சரணாலயம். 1961 ல் ஆரம்பிக்கப்பட்ட இக்கல்லூரி பாரிஸ் திரைப்படக்கல்லூரி இயக்குனர் ரெமி டெச்சன் என்பவரது வழிகாட்டுதல்படி மத்திய அரசாங்கத்தால் உருவாக்கப்பட்டது.Stallone had another major franchise success as Vietnam veteran John Rambo in the action adventure film First Blood (1982). The first instalment of Rambo was both a critical and box office success. The critics praised Stallone's performance, saying he made Rambo seem human as opposed to the way he is portrayed in the book of the same name, First Blood and in the other films. Two Rambo sequels Rambo: First Blood Part II (1985) and Rambo III (1988) followed. Although box office hits, they met with much less critical praise than the original. He also continued his box office success with the Rocky franchise and wrote, directed and starred in two more sequels to the series: Rocky III (1982) and Rocky IV (1985).
It was during this time period that Stallone's work cultivated a strong overseas following. He also attempted, albeit unsuccessfully, roles in different genres when he wrote and starred in the comedy film Rhinestone (1984) where he played a wannabe country music singer and the drama film Over the Top (1987) where he played a truck driver who enters an arm wrestlingCobra (1986) and Tango and Cash (1989) did solid business domestically but overseas they did blockbuster business grossing over $100 million in foreign markets and over $160 million worldwide. The Rocky and Rambo franchises at the end of the decade were billion dollar franchises internationally. competition to impress his estranged son. These films did not do well at the box office and were poorly received by critics. The action films
ஆயிரம் கோடி வசூல் ராஜா ..After a few years hiatus from films, Stallone made a comeback in 2006 with the sixth and final installment of his successful Rocky series; Rocky Balboa, which was both a critical and commercial hit. After the critical and box office failure of the previous and presumed last installment Rocky V, Stallone had decided to end the series with a sixth installment which would be a more appropriate climax to the series. The total domestic box office came to $70.3 million (and $155.3 million worldwide). The budget of the movie was only $24 million. His performance in Rocky Balboa has been praised and garnered mostly positive reviews.[25]
Stallone's newest release is the fourth installment of his other successful movie franchise, Rambo, with the sequel being titled simply Rambo. The film opened in 2,751 theaters on January 25, 2008, grossing $6,490,000 on its opening day and $18,200,000 over its opening weekend.
Its current box office stands at $42,653,401 in the US and $112,481,829 worldwide.
Sylvester Stallone has always been something of the underdog, a trait which runs parallel 
He is an extremely underrated Actor, Producer, Director, and above all, a masterful Screenwriter. He has an ear for language and honest characterisations (yes his characters may be laconic, but the characters that move around him are always well drawn: think Paulie and Adrianna from Rocky or Sheriff Will Teasle from First Blood), and his stories seem to move at a break-neck pace. He has written, or co-written, nineteen movies, more than half of which have been monumentally successful.
That’s something most full time Hollywood writers cannot say.
Stallone had an extremely difficult birth and was yanked from his mother's womb by a doctor's forceps. This severed a facial nerve, paralyzing the lower left side of his face. As an actor, this now trademark snarling look and slightly slurred speech have made him an easy target for ridicule. But when Rocky was released in 1976, celebrated movie critic (and bizarrely, once Russ Meyer’s regular screenwriter) Roger Ebert likened him to a young Marlon Brando. This isn’t too far off the mark either.
Stallone is magnificent in Rocky, brimming with a power, hunger and subtlety that simply towers over his other work. Not to say that his other films are to be dismissed out of hand though. Much has been written about Stallone’s impressive performance in 1997’s Copland, often citing that only that film’s character, Sheriff Freddy Heflin and Balboa are worth mentioning in Stallone’s cannon of performances. But that is to over look some fairly forgotten films that came out in the wake of Rocky.
F.I.S.T and Paradise Alley were both released in 1978. Both were written by Stallone, or at least co-written (his collaborator on F.I.S.T was Joe Eszterhas, future writer of Basic Instinct and Flashdance), and both contained masterful performances from Sly and his supporting players. F.I.S.T was an epic, social drama about a warehouse worker who becomes involved in the labour union leadership. Hardly a box office crowd pleaser, but the film was thoughtful and moving, and contained shades of On the Waterfront.
Paradise Alley on the other hand was Stallone’s directorial debut and told the story of three brothers, living in the slums of 1940s New York, who band together to fight a sleazy wrestling manager. Stallone wrote a strong and hard-edged script, which he directed with the confidence of a seasoned filmmaker.
Although they were critically praised, neither film was successful, so Stallone cracked and gave the world what it wanted - another Rocky movie. But if either, or both these films were success stories at the box office, Stallone’s career would have taken an entirely different route. He may well have made good on his brooding Brando-like intensity and made (written) more ‘serious’ and thought-provoking pictures.
(Another film to look out for in his early career is 1974’s cult hit Lord of Flatbush, co-written and co-starring a young Stallone alongside an excellent Henry Winkler, it is an effectively written teen gang film.)
அவரே சொல்லிட்டார்! நடிப்புதான் பல அவதாரங்களில் ஊத்திக்கிச்சுன்னா இப்ப கதையும் ஓட்டைதான்ன்னு அவரே ஒத்துக்கிட்டார். இதோ படிங்க ..Kamal Haasan on a recent visit to Kerala to promote his Dasavatharam had some interesting and blunt questions to answer.
Disclosing how Dasavatharam came into making, Kamal Haasan said that it was his idea to don ten roles that set the whole project in motion. The story was weaved on these ten characters, he added.
On the Punjabi Singh character that gets cured of cancer miraculously by a gunshot, Kamal said this idea was inspired from a real-life incident involving the Late Tamil Nadu Chief Minister of Tamil Nadu M.G. Ramachandran. Explaining further, Kamal said that the TN CM acted in films and was able to talk even better after the gunshot wound.
Source: http://www.tamilstar.com
ஏன் பெண்கள் மட்டுமே நீச்சல் உடையில் கிளுகிளுக்க வைக்கவேண்டும்? அந்தக் காலத்து கே ஆர் விஜயா முதல் இந்தக் காலத்து நயனதாரா வரை நீச்சல் உடையில் கலக்கி பின் விமரிசனங்களால் கலங்கி ஸ்டேட்மென்ட் விடவேண்டிய சூழல் தான் ஆணாதிக்க சூழலை உறுதிப்படுத்திக் கொண்டிருக்கிறது தலைமுறை தலைமுறையாக. காதாநயகர்கள் நீச்சல் உடையில் நடிக்கத் தயங்குவது ஏன்? ஒருவேளை தங்கள் தொப்பைகள் மீதுள்ள அபிமானமா? பெண்கள் பார்க்க சகிக்காது என்ற தாழ்வுமனப்பான்மையா? இப்பொழுதுள்ள கதாநாயகர்களில் யாருக்கு நீச்சல் உடை பொறுத்தமாக இருக்கும்? சொல்லுங்க ப்ளீஸ்! சக பதிவாளினிகளும் கலந்துகொள்ள ஏதுவாக அனானி பின்னூட்டங்கள் அலவ்ட்!
தான் இயக்கிய முதல் படத்திலேயே ஆஸ்கார்,கோல்டன் க்ளோப், அமெரிக்க டைரக்டர்கள் கூட்டமைவு என்று முப்பெரும் விருதினை பெற்ற டைரக்டர் சாம் மெண்டிஸ் ஆவார். நாடகத்துறையில் இருந்து திரைப்படத்துறைக்கு வந்து தமது முதல் படமான 'அமெரிக்கன் பியூட்டி' மூலம் இச்சாதனையைச் செய்தார்.
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